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Michael Ancher ved en sygeseng, en ung pige lceser for den gamle kone i alkoven oil painting


ved en sygeseng, en ung pige lceser for den gamle kone i alkoven
Painting ID::  64424
Michael Ancher
ved en sygeseng, en ung pige lceser for den gamle kone i alkoven
1870 se

   
   
     

Michael Ancher redningsbaden fores gennem klitterne oil painting


redningsbaden fores gennem klitterne
Painting ID::  64425
Michael Ancher
redningsbaden fores gennem klitterne
1883 statens museum for kunst. se

   
   
     

Michael Ancher frokost i haven oil painting


frokost i haven
Painting ID::  64426
Michael Ancher
frokost i haven
se

   
   
     

Michael Ancher born og unge piger plukker blomster pa mark nord for skagen oil painting


born og unge piger plukker blomster pa mark nord for skagen
Painting ID::  64427
Michael Ancher
born og unge piger plukker blomster pa mark nord for skagen
1887

   
   
     

Michael Ancher anna ancher lcerer sin datter helga at tegne oil painting


anna ancher lcerer sin datter helga at tegne
Painting ID::  64428
Michael Ancher
anna ancher lcerer sin datter helga at tegne
julenissen star model

   
   
     

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     Michael Ancher
     Danish Painter, 1849-1927 He studied at the Kongelige Akademi for de Sk?nne Kunster, Copenhagen (1871-5), where his teachers Wilhelm Marstrand and Frederik Vermehren encouraged his interest in genre painting. He first visited Skagen in 1874 and settled there in 1880, having found that subject-matter drawn from local scenery was conducive to his artistic temperament. In Will he Manage to Weather the Point? (1880; Copenhagen, Kon. Saml.) several fishermen stand on the shore, evidently watching a boat come in. The firmly handled composition focuses on the group of men (the boat itself is invisible); each figure is an individual portrait that captures a response to the moment. Ancher's skill at grouping large numbers of figures with heroic monumentality compensates for his lacklustre colour sense. A change in his use of colour is noticeable in the works produced after an influential visit to Vienna in 1882; he was deeply impressed by the Dutch Old Masters at the Kunsthistorisches Museum, especially the Vermeers. Their effect on his painting can be seen in the Sick Girl (1883),

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     | Faccini Pietro | Henry Singleton | Clare George |


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